COLLEZIONE GORI

Mimmo Paladino

Mimmo Paladino (Paduli, 1948 – )

In 1982, before Aldo Spoldi created his installation on the top floor of the Villa, Mimmo Paladino took a few steps through the empty entrance room to explore a corridor so narrow that only one person can pass through it. At its end the passageway opens onto a space flooded with air and natural light. In these combined spaces, the large room on the top floor of the villa and the narrow and long corridor flanking it, the artist aimed to transfer his outdoor experiences: the sights and sounds perceived in the park and impressions gathered in the form of sketches on paper, where architectures of the garden are recognizable, intertwined with those of the indoor rooms of Villa Celle.

Paladino begins his narrative from the access corridor, renamed the “Passage of Secrets.” Here, with the help of a scaffold, he filled, from floor to ceiling,  the two large side wallsand the narrow one at the back with charcoal drawings depicting “The Spirits of the Woods.” On a white background, black lines draw snakes interwoven with composite heads of human and animal masks, connected or detached from bodies standing, sitting, or flying.

The entrance to the large open room is announced by painted signs in a bright red that, in their forms, resemble birds projecting like arrows along the walls. The effect is that of a flock taking flight, suggesting the “Music of the Woods.” The two-dimensional birds share the space of the room with a framed yellow, red, and blue painting on whose edge a snake rises. The most unsettling presence of the installation is undoubtedly the element that Paladino titles Vincitore or “Winner,” a three-dimensional totemic sculpture placed in front of the window, facing south, in the direction of Vinci, Leonardo’s hometown. The towering and black form dominating the room is composed of raw wooden planks that Paladino entirely painted black before adding esoteric signs and, at the juncture at the top, a harrowing black death mask. Paladino’s presence in the Gori household has generated an affectionate and constant friendship with the entire family. On the occasion of the collector’s 60th birthday, the artist produced a curious bronze bell as a gift. The present was accompanied by instructions for use, informing Giuliano to ring the “bell-sculpture” when he needs the artists, as they will always come running at the slightest signal.
“Beyond the hills, the long gaze of Vinci gazes long at the wood from Africa. The butter houseconjures up slippery spirits from the depths of the woods. The silent intruder is gripped by the secrets.” — Mimmo Paladino in Gori Collection: Site Specific Art at the Fattoria di Celle, Gli Ori, Pistoia, 2008, p. 285.
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