COLLEZIONE GORI

Luciano Fabro

Luciano Fabro (Torino, 1936 – Milano, 2007)

In 1981, invitations were ready to be sent to the first artists to involve in the environmental art project at Celle. Although, through a decade-long campaign, the outdoor spaces had been restored to adhere to the original  vision of Giovanni Gambini (the park’s architect), there were no suitable spaces inside the historic buildings. So, during an absence of their collector-father,  members of the Gori family decided to organize a pleasant surprise for him: they worked together to emptythe former aristocratic apartments on the top floor of the Villa. Creating storage spaces in other structures on the estate, they managed to free the rooms from furniture, leaving empty walls and floor space beneath the 19th-century paintings that adorn the ceilings of the Villa. In so doing they effectively created a new exhibition space inside their family home.

Among the first artists to arrive was Luciano Fabro, who experimented with a series of seemingly incongruous materials to formulate a new version of the profile of the “Boot,” enriching the series of Italia sculptures. Regarding the piece, Renato Barilli wrote, “[Fabro] wonderfully acts out his role of mutant, unpredictable, unreachable artist, ready to mimetize with decorative motifs already present in loco.”
“Every time I tackle new materials, I test them out on an Italy. The Italia of Prato is partly the material prototype of the Gioielli, the Enfasi, etc. Its installation at Celle was been planned so that whoever enters from the adjoining rooms may see first and foremost the ring from which it is suspended. The ring gives advance warning of the timbre of the light and the material, and it isolates the Italy from the crude and pretentious painting on the ceiling, making one forget that the room is totally lacking in good proportions.” Luciano Fabro in “Arte Ambientale. Fattoria di Celle, Collezione Gori,” Gli Ori, Pistoia 2008, p.121.

Works by the artist

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