COLLEZIONE GORI

Hera Büyüktaşçıyan

Hera Büyüktaşçıyan (Istanbul, 1984 – )

Giuliano Gori, who has always been interested in artists who renew therange of uses of space, considered a list of names proposed by his friend Adelina von Fürstenberg, founder of Art for the World, for the creation of a new artwork. Among them, he was struck by Hera Büyüktaşçıyan for the role that environment plays in her installations. During Büyüktaşçıyan’s first visit to Celle in 2016, Gori saw the young Turkish artist focus on the olive groves and walk among the centuries-old trees, only interrupting her steps to open an umbrella and quickly make sketches in her notebook. This led to the creation of “Echo,” a work that revisits a recurring theme in her artistic production: the invisible space that determines the perception of what is in plain sight. Between presence and absence, the artwork visually echoes in the chosen site.

“Each time we pass through it, we become active particles in the entirety of the Echo, our footsteps colliding with many others. In this sense, Echo also resembles a shipwreck or fossil that has maintained its materiality within multiple layers of time, existence, and reality. It thus serves as a reminder of the immortality of memory and the cyclical nature of the world.” —Hera Büyüktaşçıyan in “Hera Büyüktaşçıyan: Echo,” Gli Ori, Pistoia, 2016, p. 39.

Works by the artist

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